
Odalisque - Wikipedia
An odalisque (Ottoman Turkish: اوطهلق, Turkish: odalık) was an enslaved chambermaid or a female house slave attendant in a Turkish seraglio, particularly the court ladies in the household of the Ottoman …
The Colonialist Gaze of Matisse's Odalisques - JSTOR Daily
Nov 22, 2018 · In 2015, writer and poet Najwa Ali explored Matisse’s odalisques, looking to the underlying violence of such imagery and representation. With pointed, lyrical prose, Ali introduces …
A Complete Analysis of “Odalisque” by Jean Auguste Dominique Ingres
While “Odalisque” is often read primarily as a sensuous spectacle, it also participates in the Orientalist discourse of its time. The term “odalisque” refers to a female slave or concubine in a Turkish harem, …
ODALISQUE Definition & Meaning - Merriam-Webster
The meaning of ODALISQUE is an enslaved woman.
Odalisque by Auguste Renoir - National Gallery of Art
Gottlieb Friedrich Reber [1880-1959], Barmen, Germany); sold to (Paul Rosenberg & Co., London, New York, and Paris); [3] sold 1928 to (Hugo Perls, New York); [4] from 1931 with (Paul Rosenberg & Co., …
ODALISQUE Definition & Meaning | Dictionary.com
ODALISQUE definition: a female slave or concubine in a harem, especially in that of the sultan of Turkey. See examples of odalisque used in a sentence.
Odalisque - Encyclopedia.com
May 17, 2018 · The imperial system of concubinage, and with it the image of the odalisque, became well established during the long reign of Suleiman the Magnificent (ruled 1520 – 1566).
odalisque - Wiktionary, the free dictionary
Jan 20, 2026 · Noun odalisque (plural odalisques) (historical) A female slave in a harem, especially one in the Ottoman seraglio.
ODALISQUE definition and meaning | Collins English Dictionary
Definition of 'odalisque' odalisque in British English or odalisk (ˈəʊdəlɪsk ) noun a female slave or concubine
Painting colonial culture: Ingres’s La Grande Odalisque – Smarthistory
In his painting La Grande Odalisque (below), Ingres transports the viewer to the Orient, a far-away land for a Parisian audience in the second decade of the nineteenth century (in this context, “Orient” …